Whether you're painting light washes of color for fun or doing fine detailed brushwork as an artist, painting with watercolors is a calming art form that anyone can enjoy. But since watercolors are different than markers or pens, it's crucial that you get a sketchbook that is tailored to the medium.
In this article, we put together a list of our 10 best sketchbooks for watercolors taking into account a variety of needs. Our favorite pick is the Travelogue Artist Watercolor Journal from Speedball, for its versatile and high-quality paper, protective linen cover, unique square design, and ample extra features. If you'd like tips on how to find the best sketchbook for your particular interests, scroll down to our trusty Buying Guide.
Quick List - Top Sketchbooks For Watercolors
Speedball
Best Versatile Watercolor Sketchbook With Many Features
Susan has a Master of Fine Arts in Oil Painting, has been a glassblower since 1998, and is a former drawing professor. Her "painted drawings" are oil on paper and employ cartoon imagery to explore issues, ironies, and paradoxes in modern societies, often inspired by urban life in Tokyo. She has participated in juried exhibitions in the US and Japan.
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Table of Contents
When choosing a sketchbook for watercolors, it's important to find paper that can stand up to lots of water and various watercolor techniques. Here are some things to keep in mind.
Because watercolors are quite wet, you’ll need thick paper that can soak up the moisture without buckling. Look for sketchbooks that specify their compatibilities with watercolors.
Paper comes in various weights and is measured in pounds or grams per square meter (gsm). Watercolor paper ranges from a light 90 pounds (190 grams) to a heavy 300 pounds (638 grams). While heavier paper absorbs more water, this doesn’t necessarily mean it’s better. The paper that works best for you depends on your watercolor style.
90-pound paper can be used for dry brush painting but tends to warp if too much water is applied. For everything else, 140- or 300-pound paper is a better choice since they can handle both dry brush and washes. You’ll be able to apply multiple layers of color without having to wait for the paper to dry in between.
If your watercolor paper warps just a little, you can likely flatten it out again. Try spritzing the back of it with water after your paint is dry, then sandwiching it between two sheets of clean paper. Set it on a table face down under some heavy books and let it press until totally dry.
It's better to use paper that's the right weight for your techniques, though. It's difficult or impossible to fix paper that's really bent. This page has a great explanation of why buckling happens so you can avoid it.
Watercolor paper comes in three different textures: hot-pressed, cold-pressed, and rough.
Hot-pressed paper is smooth and can have a slippery quality when painting. It absorbs water more slowly than textured paper, giving you more time to make adjustments. If you like to combine watercolors with pens, pencils, or markers, hot-pressed paper is ideal. Its smooth surface will let your drawing tools glide without snagging.
Cold-pressed paper has some texture, so it absorbs water more quickly than hot-pressed paper. If you’re just using watercolors, cold-pressed is a great all-around choice. Rough paper is highly textured and will absorb water the most quickly. This makes it a good choice for washes or pieces with multiple layers.
The texture of the paper will be apparent in your finished work. Colors tend to be brighter on hot-pressed paper since the flat surface reflects more light. On the other hand, the texture of cold-pressed paper and rough paper will show through, adding depth to the painting.
While most watercolor paper is white, there’s still some variety. Some paper is a cool, bright white, while others are warmer and cream-colored.
You can also find watercolor paper in other colors, like tan. Remember that the paper is the source of light in a watercolor, so the background color's warmth and hue will affect the final work.
Sketchbooks come in a huge range of shapes and sizes, from five-inch travel journals to extra-large pages over a foot long.
When choosing a size, consider whether or not you'd like it to be portable for easier travel. If you’re taking the sketchbook to school or on trips, look for one that will fit in your bag. In addition, take into account how many pages the book has. The more pages, the thicker and heavier it will be.
Aside from portability, also consider what size most inspires you. For example, some people find large pages to be daunting, while others find lots of freedom in them as they allow for more practicing space. On the other hand, some may feel constricted by small pages, but others may prefer making smaller pocket-size works.
Sketchbooks can be oriented in two ways: landscape or portrait. Landscape pages are longer horizontally and, as the name suggests, are great for painting landscapes. Portrait pages are longer vertically.
You can always rotate your sketchbook any direction you like, but the binding might get in the way of your hand. Consider your own style and what types of subjects you like to paint to determine which orientation will work best for you.
You can also find square sketchbooks. These can sometimes be marketed as effective for taking pictures of and uploading to social media, as the square dimensions allow your artwork to fit perfectly into social media grids without additional cropping.
The cover of your sketchbook is almost as important as the paper inside. A hard cover will protect the paper inside from damage, but it’s not flexible and might be more difficult to carry around. A hard cover can also act as a flat, supportive surface for painting when you don’t have a table.
On the other hand, a softcover pad may not offer as much protection, but is usually lighter and easy to transport. If you need to fit your sketchbook into a thinner backpack, a softcover allows you that adaptability.
Sketchbooks can be spiral-bound, sewn, or glue-bound. Spiral-bound sketchbooks are unique because you can fold them entirely in half, so they can be used even without a steady surface to work on. However, spiral binding can get in the way. If you’re left-handed, look for a sketchbook that’s bound at the top rather than on the side.
A sewn binding is much sturdier and has pages that aren’t meant to be removed. If you like to work across two pages at once, this is a great option. Not all sewn binding sketchbooks can lay flat, however. If that’s important to you, you can usually find that information in the product descriptions or reviews.
A glue-bound sketchbook is held together lightly with a glued edge and has easily removable pages. The binding tends to weaken with age and wear, so only pick this type of sketchbook if you don’t mind the possibility of pages coming out.
If you plan to work with really wet techniques but want to paint right in your pad instead of taping your paper to a board, then you should be looking into watercolor blocks. These are pads of paper with glue on all four sides, so there's no way your paper will buckle.
To remove the sheet after your painting is done, you carefully use an X-ACTO knife or slide the end of a paintbrush around the sheet to cut the glue. Watercolor blocks come in all sizes and are great for plein-air painting or travel sketches.
Depending on how you plan to use your sketchbook, you might want pages that can tear out easily. If you don’t like the fragility of glue binding, look for a sketchbook that has perforated pages. You can typically find perforated pages in all types of sketchbooks, including spiral bound, sewn, hardcover, and softcover.
Other useful extra features are things like foldable pockets attached to the back or front cover of the sketchbook and elastic bands that allow for secure closure. The pockets allow you to store any doodles or cards with your sketchbook, and the elastic bands allow your pages to remain securely pressed together and serve as added protection.
Products | Image | Click to purchase | Key features | |
---|---|---|---|---|
1 | Speedball Travelogue Artist Watercolor Journal | ![]() | Best Versatile Watercolor Sketchbook With Many Features | |
2 | Arches Watercolor Pad | ![]() | Best Multimedia Sketchbook With Cotton Paper | |
3 | Strathmore 400 Series Visual Watercolor Journal|460-59 | ![]() | Best Hardcover Sketch Journal | |
4 | Moleskine Art Watercolor Album | ![]() | Best Photo Album-Sized Watercolor Sketchbook | |
5 | Canson XL Series Watercolor Textured Paper Pad | ![]() | Best Extra Large Watercolor Pad | |
6 | Winsor & Newton Classic Watercolor Paper Postcard Pad|6663255 | ![]() | Best Sketchpad to Make Watercolor Postcards | |
7 | Arteza Watercolor Sketchbooks | ![]() | Best Sturdy Sketchbooks Ideal for Mixed Media | |
8 | Arches Rough Watercolor Paper Pad | ![]() | Best Highly-Textured Rough Watercolor Paper | |
9 | Canson Artist Series Watercolor Pad | ![]() | Best Compact Spiral-Bound Sketchbook for Wet Media | |
10 | Paul Rubens Watercolor Journal | ![]() | Best Travel Watercolor Journal With Hot-Pressed Paper |
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This Travelogue Artists Watercolor Journal is just over eight inches, making it the perfect size to throw into your bag. It's uniquely square-shaped and contains 30 sheets of acid-free watercolor paper with a cold-pressed finish. The cover is made of woven linen with an elastic closure, pocket on the back cover, and bookmark.
Some reviewers complained that the paper buckled under heavy washes and that some of the pages were stuck together. Still, the majority of reviewers loved that it can lay completely flat and reported that it's great for a mix of watercolor and ink.
Pros:
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If you're looking for a sketchbook with artist-grade hot-pressed paper, this one from Arches has you covered. It contains 12 sheets of paper made from 100 percent natural cotton fibers treated with gelatin for even absorption. It can be used with watercolors, gouache, acrylic, and even airbrush.
Some reviewers noted that this paper pilled because it's on the soft side. However, most reviewers said the smooth surface was ideal for details and clean lines. They found the paper held water very well.
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Cons:
Get started on your art journal or practice doodling with this sketchbook. It's made with heavyweight, cold-pressed paper and compatible with watercolors, acrylic, ink, markers, and collage techniques. To expose the classy matching brown covers on the front and back, remove the protective flysheet.
Some reviewers reported that the paper began to pill if they used too much water or too many layers. However, most reviewers said this sketchbook was perfect for practicing and playing around with watercolors. They especially appreciated the stability provided by the sturdy cover.
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Cons:
This watercolor sketchbook features Moleskine's signature leather-like cover with an elastic closure and inner accordion pocket. It contains cold-pressed paper that's textured on both sides, so you can fill every single page. The sewn binding means you can flip through this journal without any pages falling out.
Some reviewers said this sketchbook is best for light watercolor use, as the paper tends to buckle with layering. However, other reviewers said that the paper flattens out as it dries thanks to the stiff covers, and found that their work dried quickly as well. They were also pleased with this sketchbook's durable and minimalist construction.
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For those who want a whole lot of space, this XL Series pad from Canson is a great option. It's sustainably manufactured and contains 140-pound cold-pressed paper that's designed to withstand repeated washes of watercolor. It can also be used with acrylic paint, pens, markers, charcoal, and pastels.
A few reviewers said that the paper fell out of this pad and tended to pill sometimes. Still, many reviewers loved this pad for practicing, especially beginners. They said the paper was nice and thick and that their paint dried quickly.
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This sketchpad contains 15 sheets of paper cut to postcard size. The paper is formed on a traditional cylinder mold to ensure paper strength and stability. The paper is designed to withstand rough techniques and retain color brilliance. The back of each sheet has printed lines to make sending it through the mail quick and simple.
Some reviewers complained that their watercolors sat on top of this paper and didn't absorb. On the other hand, many reviewers found the paper beautifully textured. They said that they could easily lift and blend paint without ruining the paper.
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Each book in this set of two contains 32 sheets of 140-pound watercolor paper. The hardcover and spiral binding help create a flat, sturdy surface to work on and the pages are perforated for clean tearing. The cover has a removable sticker, leaving it clean with no branding.
Some reviewers said this paper had an unforgiving surface and sucked up water too quickly. On the other hand, many reviewers liked that the paper worked for both watercolors and mixed media. They appreciated the tough hardcover and perforated pages, too.
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This sketchpad's paper has a rougher grain and is made from 100 percent cotton fiber. Arches paper is formed in a cylinder mold, ensuring that the fibers are evenly distributed. This creates a thick, stable paper that resists warping. It's treated throughout with gelatin to create a less-absorbent surface for watercolors.
Most reviewers found it sturdy enough to handle all techniques, including blending, layering, and lifting. And they liked the rough texture, saying it was great for painting subjects that require more white spots, like rocks and leaves.
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Measuring 5.5 by 8.5 inches, this sketchbook is small enough to take with you anywhere. The heavyweight cold-pressed paper is designed for all types of wet media and is made to withstand scraping, erasing, and multiple washes of watercolor. It includes a removable half-sheet with tips and techniques.
A few reviewers had issues with absorbency, while others complained that the paper buckled. Still, the majority of reviewers said the paper has a nice texture and solid weight. They appreciated that they could paint on both sides, and noted that the size of the sketchbook was perfectly portable.
Pros:
Cons:
For those who prefer hot-pressed paper, this mini journal is great for painting plein air. It's filled with acid-free 100 percent cotton paper that has texture on both sides, so you can use both. The journal has a pocket on the inside back cover and a bookmark.
Several reviewers complained that their binding broke and that the paper texture is rougher than expected, too. However, most reviewers said this paper holds water well without pilling or buckling and was great for traveling. They also found that the paper had a good thickness for multiple media.
I've always found Arches paper to be reliable. It's 100 percent cotton rag internally-sized with natural gelatin, which means it's a professional-level surface that yields quality results. It won't easily tear if you apply masking tape or rub and erase a lot.
The blocks come in many sizes and three surface textures. This cold-pressed, nine by 12 block is a versatile choice and great for working outside of the studio. Since a block is glued on all four sides, your paper won't buckle.
In addition to reviewing our buying guide, Susan has also answered some commonly asked questions about watercolors.
Because of this, subtractive techniques are easier with oils. You can use solvent to remove paint and get back to the white canvas fairly easily. With watercolors, some colors stain the paper immediately and you'll never be able to "erase" them. Others can be removed, but only if you do it right away.
Another difference is transparency. Oils can be made transparent, and glazing is a technique that layers paint similarly to the way many watercolorists work. But overall, layering transparent colors to get a rich depth, instead of directly mixing them, is easier with watercolors."
Susan says, "It really depends how you define watercolor! Ancient cave paintings used water-based paint, made with ground earth pigments, so in that sense, it goes back to pre-history. In Asia, scrolls have been painted with water-based paints and brushes for millennia.
In the modern form that most people are imagining, watercolor has its roots in the Renaissance. Artists originally made their own paint (this is true for oils as well.) In the 18th century, shops started selling pre-made watercolors. For a long time, watercolor was seen by many artists as only a type of sketching, and done as studies to prepare for an oil painting."
Whether you like to paint lush landscapes, abstract compositions, or hyper-realistic portraits, playing around with different mediums can bring new life to your work. Check out more of our favorite art supplies below.
This expert reviewed the contents of the buying guide for accuracy and provided factual corrections when necessary, as well as extra tips and advice. They did not participate in the product selection process, nor are they affiliated with any of our choices unless explicitly stated so.
No. 1: Speedball|Travelogue Artist Watercolor Journal
No. 2: Arches|Watercolor Pad
No. 3: Strathmore|400 Series Visual Watercolor Journal|460-59
No. 4: Moleskine|Art Watercolor Album
No. 5: Canson|XL Series Watercolor Textured Paper Pad
View Full RankingThe descriptions of each product are referenced from content available on manufacturer, brand, and e-commerce sites.
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